All posts by muzakreview


Satellite Citi band photo

Satellite Citi are an alt-rock two piece band hailing from Los Angeles, California. Anna Gevorkian (vocals/drums) and Shaunt Sulahian (guitars/backing vocals) are successful in pushing forth elements of multiple genres to create a truly unique and dynamic realm of sound.

Combining Gevorkian’s melodic vocals and funk rock drumming style with Sulahian’s dynamic guitars and background in heavy metal, Satellite Citi resurrect the rock genre with a fresh and modern delivery.

Formed in 2015, the name Satellite Citi derived from the notion of a city where people communicate thoughts through their satellite minds. After working on previous solo projects, the duo realised their future of collaborating together.

They teamed up with famed rock producer, Brad Wood (Placebo, Smashing Pumpkins) in creating their upcoming debut EP, ‘Negative Space’. It is inspired by topics which motivate them lyrically, from societal issues and corruption of politics, to battling internal demons and struggling to find solace.

Gevorkian reveals, “The underlying theme in our music would be overcoming negative energy, hence the EP title, Negative Space. We want our music to encourage people to stand up when they’ve fallen.

Despite ‘Negative Space’ being a raw, rock n’ roll EP filled with relentless energy and growling guitars, it thematically features sensitive and introspective subject matters.

Leading single ‘Undead’ showcases the band’s use of composing music to bring people together and help those in a time of need.

The inspiring music video for this single, directed by Powell Robinson and Patrick Young, follows a despondent LBGTQ youth after they have been thrown out of their home and constantly harassed by their peers. The video takes an unexpected turn and shows Satellite Citi joining forces with the youth and defeating every metaphor in their path, united as a team.

With memorable melodies and a contagious chorus, ‘Undead’ hits listeners with a punch of energy and exudes just the right amount of edge. It’s a relentless song, shimmering with intensity.









DERBY ALT FEST 2.0 – The Hairy Dog, Derby, 30/09/2017

Derby Alt Fest 2.0 poster


As September drew to a close, The Hairy Dog, fast establishing itself as a key venue on the Derby music scene, played host to an all-day rock and metal festival comprising of many local bands, with a few coming from out of town especially, including headliners To Kill Achilles, who had travelled all the way down from Dundee.

The weather wasn’t very good, and unfortunately, some of the outfits scheduled to play had to pull out prior to the day, but it seemed, in the run-up to the opening act, everybody there was in good spirits.

Getting the second Derby Alt Fest off to a loud, energetic start were A Hundred Crowns, a six-piece from Nottingham.

They were initially going to open proceedings on the second stage, situated upstairs, but were moved to the main stage.

Entering the room containing the main stage, I couldn’t help but laugh at seeing a large arrow hanging from above with “TWAT” written in big letters, but anyway, back to the opening band, and despite playing in front of a sparse attendance, which unfortunately often is the case with the first outfit on, they played a gutsy, intense fusion of metalcore and post-hardcore, with a mix of harsh and melodic vocals.

A Hundred Crowns gig photo

Being relatively new, their set was rather limited in terms of songs, but what they didn’t have in quantity they had in quality.

Finishing off with their debut single, ‘The Highs’, A Hundred Crowns got a good reception from the few people who were there.

Next up on the main stage were fellow Nottingham outfit Infirm Of Purpose, who also had a debut single to promote.

Their set comprised of an intense metal sound, backed up by synthesisers and turntables. The use of these instruments gave the five-piece, of which two had helped to organise the whole day, a electronicore and dubstep flavour.

Infirm Of Purpose gig photo

Watching frontman Josh Blackshaw give a performance abundant in high energy, I wouldn’t have been surprised if prior to going on stage, he had drunk about ten cans of Red Bull.

As their half-hour came to an end, the crowd area had started to fill up, with two or three bobbing their heads aggressively to the music.

However, by the time thrash metallers Hellrazor started on stage, the audience had trickled down to a select few.

Not that there seemed to be any anger from the band about this, their vocalist actually took the opportunity to make a few tongue-in-cheek references, one of which being, “Hope you enjoyed that, all four of you!

Hellrazor band photo

Regardless of this, the set was enjoyable, with the local outfit playing passionately, with catchy riffs and heavy headbangers galore, influenced by “The Big Four” of metal, as well as more classic collectives of the genre.

Hellrazor were also a member down, and Tom, a guitarist who had come in at the last minute to fill in, did a stellar job. It was like he had been a part of the band for years.

After that, it was time to venture upstairs to the second stage to see local metalcore six-piece Buried And Forgotten, where the room was so compact, not all of the members could stand on the stage, so the two vocalists decided to perform in front.

Being in such a confined space, you could really get up close to them, literally feeling the sweat pouring from their foreheads as the whole band opted for full-on aggression.

Buried And Forgotten band photo

The frontmen even got one of the merchandise people to come and join them for a brief mosh. With both of them having long hair, it was as if the merchandiser was being enveloped by their flowing locks.

After all of that, it was back downstairs for This.Is.Hate’s set. Having chatted earlier in the day with the band’s lead vocalist, and another festival organiser, Liam Barlow, he had told me that he saved up all of his aggression for the stage, and judging by his stage presence, he was right.

This.Is.Hate gig photo

With a sound, that in Liam’s words, was “heavy as fuck!“, you could tell that the outfit were pouring their souls into producing the best possible live set.

With some of their set list, they also showcased a groovier and heavier sound, which shows how mature the guys are becoming with their songwriting.

Immediately following them were Bury The Traitor. The Derby quintet had a heavy yet melodic sound that drew from a wide range of musical influences, and they used the stage as a good opportunity on which to exploit this to a high standard.

Bury The Traitor gig photo

They took their music seriously, but didn’t let it get in the way of them having a great time during their performance, with all five of the band seeming to bond really well as a unit, which definitely came across while I was watching them.

Serious” is probably a word alien to Raised By Owls, judging by their eccentricities, which were on full show during their time on stage.

From the moment they entered to the theme tune from Ski Sunday, I knew that it wasn’t in their nature to play a bog-standard set.

Television theme tunes played an important role throughout, acting as little intervals between the tracks, with the crowd also being treated to the themes of Chucklevision and Murder, She Wrote.

Raised By Owls gig photo

The songs themselves showcased effectively their brand of surreal humour, with avant-garde lyrics set to snarling vocals and very heavy guitar riffs.

As well as moshing to the angry sound, the audience were in fits of laughter.

If there had been an award given out to the most original band of the day, Raised By Owls would have won by a country mile.

I had had the pleasure of interviewing Skies In Motion when I had been at the Macmillan Fest in Nottingham at the beginning of September.

Unfortunately, I didn’t get the chance to see them that day as their stage time clashed with an interview I was doing.

Skies In Motion band photo

This meant that this time, I was determined not to miss them, and I’m glad I didn’t, as they were impressive throughout, playing a number of well-crafted compositions, taken from both their overwhelmingly positively received recent debut album, ‘Life Lessons’, and other offerings.

In the past, the band have played with the likes of Killswitch Engage and Skindred, and after seeing their excellent performance, the passion they put into everything they do, and their rapidly rising profile, the local outfit are seemingly well on their way to emulating those two.

Another of the collectives that I can comfortably say have a strong work ethic were headliners To Kill Achilles.

To Kill Achilles band photo

The Scotsmen’s job was to bring proceedings on the main stage, and the entire day, to a close, and they did it in some style, literally raising the roof off with a powerful set comprising of a unique brand of melodic metalcore, incorporating the use of other musical genres such as pop, rock and emo, coupled with frank and personal lyrics.

All in all, the festival was a great way of boosting the profile of Derby on the British rock and metal scene, full of entertaining bands that were truly passionate about what they played, but were not afraid to enjoy themselves as well.

I presume, judging by this year’s success, that the Derby Alt Fest 3.0 is on the cards for 2018.






Fathoms band photo

FATHOMS (from l-r): Sam Rigden (guitar/vocals), James Munn (guitar), Max Campbell (vocals), Lui Sarabia (drums), Steve Cogdon (bass)


In the seven years that they have been in existence, Brighton metalcore quintet Fathoms have established themselves as a force to be reckoned with, garnering acclaim for a powerful, gritty metal sound, as well as embarking on several successful tours around the world.

Since bringing out their debut album, ‘Lives Lived’, to rave reviews two years ago, the band have mainly been in the studio working on refreshing their musical stylings.

Now, the five-piece are back with a new album, ‘Counter Culture’, set for release this December, which promises to be their finest offering to date.

They told me about this, and other things, when I chatted with them.

How did the band form?

A few of us were already friends and knew each other from going to parties and hanging out, we all listened to the same music and loved the scene, so we decided to give something back and make our own music and start playing shows anywhere we could!

How did the name Fathoms come about?

We come from by the sea, and a Fathom is a unit of measurement of water. We always hang out on the beach, so the name just came to us while we were getting high and chilling on the beach.

What would you say was your approach to songwriting?

The band gets together, and James and Sam will write the skeleton structure of our songs, then each member will add the drums, bass, vocal pattern and lyrics over it. It works really well for us all being able to have an input and put our own influences into every song.

Speaking of influences, who are the main ones for the band?

Our musical influence mainly stems from the film ‘School of Rock’ and Jack Black started this all for us. Nah! Really, we love a lot of hip-hop and metal, particularly early 2000’s nu-metal bands.

What provides the inspiration for your lyrics?

My lyrics always stem from what is going on in my life at that moment, how I’m feeling, and it’s my way of venting my thoughts and emotions. I take a lot of influence from hip-hop artists, so I try to make that come through in the music, whilst sticking true to the metal roots of the band.

In December, the band will be releasing a new album, ‘Counter Culture’. How has the recording process been?

To be honest, we’ve had a lot of trouble with it. Unfortunately, our long-term producer Tom Denney messed with us and would not give us our finished music back for over a year.

It’s been a struggle and we had to re-record most of the album, but we are all so happy with how it has turned out. We couldn’t be more proud of how the album sounds and it’s by far the best music we’ve made as a band.

And what can your fan base expect from it?

A change in sound, we’re coming really heavy with the riffs and we have some mad nu-metal/hip-hop parts to songs. The whole album is both heavier and more melodic than our previous material. Just expect something different, you will not be disappointed.

Earlier this month, the band were on a European tour with Kingdom Of Giants and Create To Inspire. How did that go?

It was great, a highlight was playing an insane show in Budapest. Both bands are super talented and we couldn’t have been more happy to be playing with such a great bunch of guys, make sure you check them both out!

Fathoms Album Cover








Glass House Point band photo

Florida indie rock band Glass House Point have officially announced the release of their upcoming EP, ‘Midnight Appetite’ and a corresponding promotional tour for early November, aptly titled ‘The Midnight Appetite Tour’.

The band’s sound is centered around a four-piece lineup backed by crisp harmonies, synths, and string ensembles. Overall, the sound is sophisticated, yet untamed — a quite beautiful contradiction.

‘Midnight Appetite’ follows the release of two late summer singles – the Spotify hit ‘Creatures’ and its powerful follow up, ‘Polaris’, both of which are featured on the upcoming EP.

About their new music, the band states:

Our new music is, collectively, more thematic and focused than anything we’ve ever done. It’s us introducing what we have become and debuting ourselves on a bigger stage.”

Glass House Point are an indie-rock band hailing from the tropics of central Florida: a place riddled with abundant sunshine and torrential rainfall. The outfit formed during the particularly stormy summer of 2013 and has since cultivated a sound that completely defies the expectations of East Coast music culture.

Ambient swell and soothings lulls puts their music into a category of its own: a category that has yet to be explored by today’s indie artists. The band’s past ventures include extensive US tours and the release last year of their debut record, ‘Love Lives in Dark Places’.

Most recently, the Tampa quartet has recorded their sophomore EP with Grammy-nominated engineer & producer, Aaron Gandia.

Glass House Point recently embarked on the ‘Think Fast; It’s Gone’ tour. ‘Midnight Appetite’ is available on all streaming platforms on October 27th.


Glass House Point tour poster









Calling Apollo band photo

CALLING APOLLO (from l-r): Kevin Williams (guitar), Zak Woolf (drums), Christian Neale (vocals), Dan Hughes (guitar), Luke Walters (bass)


Calling Apollo are an alternative rock five-piece from Cardiff.

The band burst onto the scene two years ago with a well-received debut, ‘Hunter/Gatherer’, which showcased an aggressive sound mixed with melodic song structures and ambience.

Since then, the quintet have not looked back, getting more rave reviews for the first part of their release, ‘The Great Depression’, which dealt lyrically with the political attitudes of 1920’s America and how it is being mirrored in contemporary Britain, as well as winning over rock fans across the UK with a solid live presence.

Having just released a new single, ‘Light The Way’, and with the eagerly-awaited second part of ‘The Great Depression’ coming out next month, the Welshmen spoke to me about all this and more.

How did the band get together?

We actually all met online. Our previous bands had all disbanded and we all fancied a bit of musical online dating!

From where did the name Calling Apollo originate?

We’re space geeks and were talking space geekery for band names.

What are the band’s main musical influences?

Anything. We love bands like Arcane Roots, Caspian, Deftones and Funeral For A Friend and we also take inspiration from film scores.

What would you say was your approach to songwriting?

It literally depends on the song. Sometimes, we’ll see what comes organically in the practice room and sometimes, we’ll develop a demo that’s been written at home. One thing we try to do is write a specific type of song, so we know what direction to head in without spiraling out of control.

The band have just released a new single, ‘Light The Way’. What can be expected from it?

It’s a song that’s always had a great live response. It’s both big and delicate at times and hopefully it’s a bit of an anthem too.

You have also recently completed the recording of the second part of your release, ‘The Great Depression’. What were the reasons for splitting it into two parts?

It’s something we’ve always wanted to do. The story is set in two parts, one out of confusion and anger, and the other with a retrospective look on how we see the world today. It felt too compressed to be crammed into one record.

How is the experience of playing live and touring for the band?

It’s great. We wish we could do it all the time.

What is your long-term aim?

It’s hard to say, but we simply want to do as much as we possibly can.












Survival Kit band photo

SURVIVAL KIT (sat from l-r): Andrew Lynn (guitar/vocals), Billy “Two Times” Kilgore (bass), Travis Blake (vocals/guitar) (lying at front): Allen Beck (drums)


Since the release of their debut EP, ‘Hard Work & Dedication’, last year, Atlanta alternative rock four-piece Survival Kit have been enjoying a rapid rise in profile.

They have made a big impact on their home city’s music scene with a unique sound blending different genres and formed from a wide range of influences, including Nirvana, A Day To Remember and Panic! At The Disco.

The quartet’s main goal is to help reassure their growing fan base that they are not alone in any struggles they may face in life, and to give them the confidence to take on what is, at the moment, a turbulent world.

Having just released a new single, ‘Valedictorian’, which has seen the Georgia outfit gain further acclaim, they took some time out to chat with me all about themselves.

How did you all get together?

Allen and Andrew met when they were 14, 15 years old and played music together in a metalcore band. Billy (known as “Two Times” and “Chewy”) & Travis both joined to play bass at some point and we all became really good friends through music.

After high school, we all went different ways, but we all kept in touch and always felt we would write great music together again.

How did the name Survival Kit come about?

We tossed ideas back and forth for a few months trying to decide and Survival Kit just hit home. We feel like music is our whole purpose here on this world and without it, we would feel pretty empty. It’s our Survival Kit.

From where did Billy’s nickname “Two Times” originate?

So Allen and Andrew started that metalcore band in high school with Bill Metcalfe (Come Down Denver). When “Chewy” joined, we had to find a way to differentiate between the two Bills.

“Two Times” was the name that eventually stuck for Billy, but then Travis started calling him “Chewy” for short. Now, he has three names and you will probably hear us interchange the three throughout our career (laughs).

Seriously, he is one of the most important elements of our sound. Listen closely and you will hear some awesome unique bass riffs in all of our songs.

What would you say was your approach to songwriting?

For every song we write, we want a new dynamic and sound. In ‘Valedictorian’,we decided to pick a old school rock n’ roll vibe. When writing the verses, we wanted it to be groovy and fun, so we knew the melodies were right the instant they came out.

As we went through the lyric writing, we talked about stories from our lives and put together a narrative that fitted how those situations impacted the people we know.

Last year, the band released their debut EP, ‘Hard Work & Dedication’. How was the reaction to that?

So ‘Hard Work & Dedication’ is basically an EP showing our roots. It’s four songs that solidified our abilities and emotional side, so that the world can see where we came from.

The reaction was great! Everyone that listens always has a different favourite song, so it definitely did what we wanted it to do. It is probably the only set of songs that will sound like that in our career. Everything from here on out is going to be a surprise to our listeners!

You recently brought out a new single, ‘Valedictorian’. Will that eventually lead to another EP or debut album?

At the moment, we are planning on only releasing singles. We have tons of songs that we could record and release, but right now, we are focused on putting out songs that are different. We want to show the world that we can write all different types of rock.

We are in full control at the moment, so we want to give you what we truly feel represents us…and we like to have a good fucking time! Also, we feel that albums do better with representation. Until then, we will push every single like an album and reach as many new friends and listeners as we can.

The band are from Atlanta. What is your opinion of the city’s current music scene?

ATL! We love Atlanta and the endless opportunities here, it’s like the new Hollywood. The big music scene is focused around festivals and clubs. The “scene” is mostly comprised of incredibly talented hardcore and metal bands.

Alternative rock artists have to fight very hard to get noticed here, but we all work together to spread each other’s names as often as we can. Teamwork makes the dream work!

You will be supporting VISTA in your home city in the next couple of weeks. How is the experience for you all of playing live and touring?

When we play shows…that is when we feel most alive. We laugh, we jump, we scream, we fall down, and we have the best time of our lives. We want to make you feel like you can do the same.

The tour in August was so sick, and we can’t wait to find more opportunities to see our beautiful country. Until then, we are flying between New York and California to meet industry professionals and get advice to build the longest future possible for us.

What is the band’s long-term aim?

Longevity. We want to be the biggest rock band in the world. We want to get to number 1 on the Billboard charts. We also want to be constantly pushing boundaries in our music and in the music industry.

We will never “sell out” because we are always going to write music we love. No-one will ever force us to write crap. We won’t let it happen. We already scrap so much music that you will never hear…it is insane. We’re already building a strong base of fans in the UK and France, so we are well on our way to that goal!















To Kill Achilles band photo

TO KILL ACHILLES (from l-r): Matthew Tippett (bass), Kieran Smith (drums), Mark Tindal (vocals), Shaun Lawrence (guitar), Marc Sharp (guitar)


From Dundee in Scotland, five-piece To Kill Achilles play a distinctive brand of melodic metalcore, incorporating the use of other musical genres such as pop, rock and emo.

The band’s sound, as well as frank, personal lyrical content, has enabled them to amass a fast-expanding worldwide fan base, which has seen the quintet play live in much of Europe and Russia.

The outfit, with their motto, “We’re all in these together“, also have a strong work ethic, having recently released an EP, and have already started to put together a new album.

Taking time from this to headline the Derby Alt Fest at the end of last month, To Kill Achilles chatted in-depth with me about their journey so far, and what their hopes are for the future.

How did the band get together?

SHAUN LAWRENCE (guitar): It’s a long story! It must have been about seven years ago, actually, neither of us were there at the beginning.

MARK TINDAL (vocals): Basically, Sharpy (Marc Sharp), our guitarist, started the band with some of his friends. Some left, some joined, and we came in after the first six months.

It was literally just friends playing music together and having a good time, you know, and that’s still the case now.

SHAUN: I had been in another band before I joined this one. Sharpy and the other guys had kicked out their old guitarist, and they asked me to fill in. I said, “Yeah, alright, but I’m not going to join permanently“, and I’m still here today.

How did the name To Kill Achilles come about?

MARK: There’s a bit of a concept behind it. The initial idea was that we wanted to do tracks that were kind of messages to make people feel better and stuff, so Achilles was this Greek god that you could never be, but he had a weak spot, which was his heel, so the name kind of influences the theory that anything is possible.

The Achilles thing also came about by watching the film Troy.

What would you say was your approach to songwriting?

SHAUN: Actually, what we tend to do is that we come up with a lot of personal lyrics, stuff that has happened to us, and we try to convey that into a story. It’s not something really niche, it can relate to any individual.

Sometimes, we will actually write the music first, we will get an image from what we hear, and when that happens, we will write a song like that.

MARK: Some of our lyrical content is also based on, and I know this sounds weird, films that don’t exist, so I try to think up of a film and a story that could happen in it.

I always try to make sure there is a beginning, middle and end, that it’s a full story rather than just buzzwords, which I don’t like in songs.

What are the band’s main musical influences?

MARK: It’s quite a weird one, with our style, to be honest, because we do play around with a few genres.

SHAUN: Honestly, as a band and as people individually, we don’t really listen to metal. I listen to a lot of The Gaslight Anthem, Brian Fallon, Fleetwood Mac, things like that, it’s not what we take as musical inspiration, it’s rather the stories they put together in the lyrics.

We also listen to a lot of Architects, Slaves, both really good bands, and that’s actually where a few ideas for our songwriting have come from as well. Mostly, we take in as much as we can, and see what comes out.

I’ve always said that we don’t really have an approach to songwriting, we just sort of start writing, and then we see what happens. We don’t just sit down and go, “We’re going to write this today“, one of us will have an idea with some imagery behind it and a story in their mind, and if we like the idea, we go forward with it.

MARK: That’s what we do.

You’ve recently released an EP, ‘Anywhere But Here’. How was the recording process?

MARK: Really good, actually. Luckily, I record other bands in my spare time, so for the recording of this EP, it was the first time I had tracked everything, so basically, it was so much fun, because we are all such good friends. We like to think of ourselves as friends first, bandmates second.

It was great, we’d had the songs written for a while, and then I just gave everyone else a call, saying, “Come down and put some guitars to them, man.”

SHAUN: There was no pressure. We did the first album in a studio, and we had a lot of ideas, but we were never really able to turn them into full songs.

It was money on the clock, though, which we didn’t have this time around, so we could approach things more at our own leisure, which probably made the time it took to record longer than it should have done, but it was a good learning curve. We now know what to do next time.

MARK: We did experiment with a lot of ideas, and because with this one, there was no time limit, when I was tracking the final bit and something went wrong, we could actually go, “No, that’s not too bad, keep it.”

The final mix was done for us by Avenue Studios in Surrey, and they were incredible. They really did work their magic.

How is the latest EP different to what the band has done before?

MARK: It’s a lot heavier, but there’s a lot of emotional content in it. The title track itself is about never doing something you don’t want to do, basically, so people who have been stuck in rubbish jobs for ages and are depressed, not doing what they want.

SHAUN: Like the nine-to-five grind, no-one really wants to do that, and ‘Anywhere But Here’ is kind of like, “I want to be anywhere but in this kind of social structure, where there is a grind.”

MARK: There’s a couple of other tracks as well. ‘These Days’ is about war, and the way the world works at the moment. It’s much heavier, but there’s also a couple of influences from lighter stuff, there’s a few melodic breaks.

SHAUN: The song structures are a lot more mature than what we’ve had before. In the past, we were really guilty of doing a lot of stuff through composed, which we’ve done on this EP as well, but we’re kind of moving away from that now.

We’ve found structures that we like, and we’re actually repeating things that we enjoy. It’s like with a chorus, we go, “What’s that?(laughs)

You’ve played across the UK and much of Europe, also supporting the likes of While She Sleeps and We Came As Romans. How is the experience of playing live and touring?

MARK: It is the literal best thing in our lives.

SHAUN: Best thing around.

MARK: On our first tour, we were bitten by the bug, as it were. We were absolutely hooked straight away.

It says on the band’s Facebook page that you’ve also played Russia and plan to tour Asia in the future.

SHAUN: Yeah. Russia came about through our manager and booking agent at the time giving us this weird tour, going to places such as Italy and Bulgaria. He wanted to test our resilience, to see if we could tour as a band.

It did throw us in the deep end, but after that, we wanted to be out on the road for as long as possible. We aim to do three or four tours a year, even though our last one was cancelled through something that was out of our hands. We’ve slowed down recently, but that’s because we’ve been busy behind the scenes.

We don’t want to become this bigger band or anything like that, we just want to go to as many places as possible. We’d love to tour Asia, go back to Russia, and it would be amazing if we could get to play a few gigs in the States.

What are the band’s plans for the near future?

MARK: We’ve started writing a new album, we’re about seven songs deep at the moment. We did have quite a long stagnant period where we didn’t bring out any music, we just toured a lot, but now, we’ve got more time in which to get more stuff recorded and released.

What is your long-term aim?

MARK: Really, it’s just to travel and play as much as we can, also to meet and talk to as many people as possible.

SHAUN: When we went to Russia and other places like that, there were culture shocks, even in eastern Europe, because we come from a place that’s not necessarily anti-Eastern, but there seems to be a lot of propaganda about how these places work and how these people are, but when you actually go there, you find that the propaganda is just a load of shit.

It’s really humbling to be able to go to a country like Russia, and you know, speak to the local people, because you can get an insight into what it’s really like there, so to get away from here and visit as many countries as possible, it builds up your knowledge on what actually goes on.

Also, it’s something you can show your family and friends in years to come. You can say to them, “This is what I’ve done, this is how I’ve made my mark.”

MARK: I guess, literally, the plan is to be able to, like Shaun’s just said, to say one day that we did all of these things. That’s my end goal. I can say, “When I was 27, I did all of this, and it was amazing.” That’s all I could ask for.

To Kill Achilles EP Cover