kill the masters band photo

KILL THE MASTERS (from l-r): Rebecca Broughton (drums), Oli (vocals/guitar), Sam Cummins (bass/vocals)


From Bolton, a small Lancashire town just north of the city of Manchester, Kill The Masters initially formed with the intention of becoming a serious political band, rallying against the right-wing establishment with a punk sound that also contains an assortment of ska, hardcore, rap, and any other genre they can fit in.

However, even though that is still the ultimate aim, the emerging three-piece are gaining a reputation for being more fun-oriented.

Having unveiled their debut EP, ‘Everything Hurts’, in the run-up to last Christmas, the collective spoke to me in-depth about that, the experience of supporting Crazy Town last summer, and much more.

How did the band form?

OLI (vocals/guitar): Me and Sam were friends at school, and we were in punk bands together as teenagers, which never materialised too much, and Sam continued to play in several other bands, while I stopped playing guitar music for a few years, and tried to learn how to produce electronic stuff (which I failed, as it was too hard).

As we’re both very interested in left-wing politics, the dragging of mainstream political discourse even further to the right in recent years both offended and inspired us, so we resolved to go back to our roots, start a political punk band, and put the world to rights.

SAM CUMMINS (bass/vocals): Yeah, Oli was actually in my first ever band, the wonderfully named Massive Head Trauma, when we were both about 13, but that fizzled out after we went to college, uni, etc, and once I got back to Bolton, we were talking about doing something together for a good year or two before it actually happened.

As for Broughts (Rebecca Broughton, drums), I met her in a nightclub in Bolton, and she ended up joining one of my bands from uni, mediocre pop-punks We Were Kings, and as soon as Oli and I started getting serious, she was my go-to to fill the drum throne.

REBECCA BROUGHTON (drums): Yeah, Sam has already explained how we met, and he introduced me to Oli a few years back after mentioning starting up a new band, as I had been out of practice for about a year, and I was looking for any reason to start playing again, so here we are. Worked out pretty well, I think.

How did the name Kill The Masters come about?

OLI: We spent a long time coming up with different ideas, but nothing really seemed to suit us.

Again, the intention was to form a political punk band, and our politics revolves around the removal of pre-existing power structures in favour of horizontally-organised, worker-led systems, and we felt that it was important that the name represented the message we wanted to put out there.

In the end, we took the name from Game of Thrones, from the series where the slave army rises up and overthrow their masters, and there’s a scene prior to the rebellion where there’s some agitation scrawled in blood on the wall, “Kill The Masters“.

SAM: I actually thought Kill The Masters was a stroke of genius entirely down to Oli, and it was only a few months later, when I actually watched Game of Thrones, that I realised he’d stolen it. I should’ve known, really!

What would you say was the band’s main musical influences?

OLI: I’m a massive fan of Streetlight Manifesto, and whilst we’re not a ska band, we definitely incorporate elements of ska punk.

Lyrically, I’m mainly inspired by rap music, particularly Akala, he’s a great rapper, socially conscious, and so intelligent, and far and beyond my favourite lyricist is Tomas Kalnoky, who I wish I could write more like.

Musically, my main inspirations include Rise Against, The Clash, Leftover Crack, AFI, and Jaya the Cat.

SAM: Broadly similar to Oli, although my first ventures into punk and ska was more the British bands of the late 70s/early 80s, with bands like Stiff Little Fingers and the Specials being huge influences growing up.

I’m also a shameless fan of the sleazier American glam-punk bands like Motley Crue and Guns N Roses, and, like Oli, I’m partial to both British and US hip-hop, with Kendrick, Ocean Wisdom, Akala, and Lowkey being some of my favourites.

I’d like to give a shout out to Enter Shikari too, who I firmly believe to be the most innovative British band of my generation. I don’t think we’ll ever sound like them, but they blow my mind with how much they’ve spanned genres and sounds over the years.

You initially formed with the intention of becoming a serious political punk band, yet you are becoming known for having a more fun-oriented sound. What made you switch to that? 

We wanted to get gigging as soon as we could, so we basically spent the first few months nailing as many songs as we could without taking too much time over the songs.

Our plan was to get gigging, and then get more into the serious political side when we’d established ourselves a bit. I’d say we’re at this point now, so the next lot of songs will be more on the serious side, whether that be political or social.

That said, we are pretty stupid, so I’d be surprised if we left the fun stuff behind entirely.

SAM: I feel like we’ve got something to say for ourselves politically, hence tunes like ‘No Apologies’, but we’ve never been good enough musicians or songwriters to take ourselves too seriously, as for every angry political song, there’ll be one about how much I love my toolbox, or something daft like that.

What would you say was your approach to songwriting? 

OLI: It varies. Me and Sam have written all of our songs so far, but Broughton has some in the pipeline.

Usually, I’ll write the lyrics and guitar on acoustic, and then get the whole structure sorted along with a simple bassline, which I’ll then take to practice and show the others, and then, they’ll sort their own parts out. I can’t write bass or drums anywhere near as good as they can, so that works well.

On ‘No Apologies’, I wrote the music to Sam’s lyrics, and on ‘Drugs in the Sun’, I wrote the lyrics to Sam’s melody, so there’s no real set system, but generally, one of us will bring in a song that’s nearly done, and then we will work together to turn it into a full ensemble.

SAM: Yeah, Oli has pretty much covered it there. One of us will have an idea for a riff, melody, or a set of lyrics, and we tend to build on that from there.

From my point of view, being a bass player, I don’t have the same ear for melodies that Oli does, so I do tend to give him a lot of my lyrics for him to work into pieces of music, but it doesn’t always turn out that way.

REBECCA: As a drummer, I’ve mostly been adding to other people’s work in rehearsals, as I’ve only recently got into songwriting after being involved with the band, and being inspired by some of the subjects the lads have touched upon.

I tend to get an idea of a topic, and start writing some lyrics down, before working on any kind of melody or chord structure. My skills on guitar are pretty limited, but I’m hoping the lads will be able to guide me with the creation of these new tunes.

It’ll be a new experience for me writing songs, and it’s great that the lads are being so supportive in me getting more hands-on in regards to the the songwriting for the band.

Towards the end of last year, the band unveiled their debut EP, ‘Everything Hurts’. How was the recording process for that? 

OLI: We recorded it with Dave at Red City Recordings, and he was fantastic, a truly awesome guy who is amazing at his craft. We loved every minute of the process, and if I could do that every day for a job, I’d jump at the chance.

SAM: I loved it. Dave was great to work with, he was able to make us sound way better than we actually are, and I got to catch up on loads of sleep while the other two recorded their parts.

What stood out for me was how much Dave pushed us into getting things perfect, because I’d think that I had nailed a take, and he’d come back with “Do that again, but better...”.

It certainly got the best out of us, and I wouldn’t want it any other way.

REBECCA: We had an amazing time working with Dave, and I enjoyed being pushed for each and every take for each song. I definitely crushed it harder than both the lads, though, so I guess they need to put a bit more practice in.

And how has the reaction been to the EP so far?

SAM: I like it, my mates like it, and even my mum doesn’t hate it, so that’ll do for me, and anything else will just be a massive bonus.

REBECCA: Yeah, my mum also mentioned enjoying it, as well, which was pretty great.

Up to now, you have mainly performed live in your home town of Bolton. How is the music scene there currently, in your opinion? 

OLI: It was amazing a few years ago, as there were a massive variety of local bands, full of sound people, but now, we’ve only got one venue left, to be honest, and the people who are trying to keep it alive are ace, but the scene has really suffered over the past few years.

We love the venue that is left, but the other real institution in our town tragically closed down, leaving a lot of the less heavy bands without any real home.

SAM: Having been in a couple of Bolton bands over the years, the scene has certainly declined, mainly due to the lack of venues.

There are still some great bands doing bits, but you see a lot of overspill these days from and to other towns, but stuff like that tends to move in cycles, though, as bands and venues will always come and go.

Last summer, the band supported Crazy Town in Bolton. That must have been quite an experience for you all. 

SAM: It was an honour. I was blown away by their set, which, with the greatest of respect to them, I wasn’t expecting.

REBECCA: It was probably the best experience I’ve had being a part of a band. The whole night was loads of fun, and sharing the stage with a band that have literally had a smash hit was amazing. We all had a proper decent night together as a band, and as mates, as well.

Also, how is it overall, for the band, playing on stage?

OLI: Good, but I’m not much of a performer, so there’s a lot of room for improvement in my opinion. We have a lot of ambitions to improve the show in the future, in order to make it more than just us playing a bunch of songs.

SAM: At the risk of disappearing up my own arse, it’s my happy place, as there’s nothing else in the world that comes close. I’ve been in and around the live music scene for the best part of a decade now, and it never gets old or boring.

It can be a slog, though, dragging yourself down to Sheffield, or up to Lancaster to play a set, especially when you have a raging hangover, but the minute we play that first note, it’s worth it a million times over.

REBECCA: It’s a dream playing with Sam and Oli, and I’ve always enjoyed sharing a stage with Sam, as we really work well together performance-wise. It’s nice watching Oli go for it as well, and I would like to say to him that he’s doing great, and is also a real sweetie.

And finally, what are your plans for the year ahead?

OLI: Another EP, I think, which we’re in the planning stages for right now. We also want to try and get gigs outside of the North West, so we can get our name further out there.

REBECCA: Gigs, gigs, and more gigs. I’m gonna start having some drum tuition again this year, as well, and I’ll see if I can get down a 250bpm hardcore beat down, so wish me luck!

kill the masters ep cover









asleep at the helm band photo

ASLEEP AT THE HELM (from l-r): Adam Kenyon (guitar/vocals), Brandon Carson (guitar/vocals), Dylan Barrett (lead vocals), Alex Dawson (drums), Ryan Johnson (bass/vocals)



Coming up to exactly one year since their formation, Asleep At The Helm truly made a mark on the metal scene of Manchester, their home city, in 2018, and things are very much looking up for them in 2019, having already received much positive feedback for debut album, ‘Dissonance’, which came out just before Christmas.

I recently chatted with the band’s lead vocalist, Dylan Barrett, and guitarist, Brandon Carson, to find out more about their experiences up to now, as well as what they have planned next.

How did the band initially get together?

DYLAN BARRETT (lead vocals): The band initially formed from me and Brandon trying to do a farewell thing with an old band, like a little EP, and then when the songs started to come together the way they did, we were surprised at how good some of the stuff was that we were writing, and then from there, Brandon got in touch with everyone else, and it just sort of fell into place.

How did the name Asleep At The Helm come about?

DYLAN: I’m sure the name came from Adam just firing out an endless list of band names, and we were pretty unsure about any of them, actually at one point, we were gonna go with the name Eyes Wide Shut, but then someone said Asleep At The Helm, and it just felt right!

What would you say was your approach to songwriting?

DYLAN: In terms of songwriting, I can’t really comment for anything other than lyrics, but I feel the general approach is just Brandon and Adam spitballing ideas, and the ones we all like, we work on bit-by-bit and try to develop to a point where we all eel confident we have something we can call a song.

What inspires the band lyrically?

DYLAN: A lot of the lyrics are drawn from experiences, I wouldn’t say specific past experiences, but more in the sense of how something may have happened in life, and it made us feel a certain way, and then the rest is just finding other words that don’t sound cliched or absolutely stupid!

Just before Christmas, you brought out your debut album, ‘Dissonance’. How was the recording process for that?

DYLAN: The recording process was for the best part really fun, but there were days, especially for me, recording when we would have a full day’s worth of recording behind us, but I still wasn’t feeling like I was getting the right sounds to do the songs justice, and those days felt like a proper test, but we did it, we grinned and bared it, and stuck at it.

BRANDON CARSON (guitar/vocals): We produced the album by ourselves mainly, we tracked all of Alex’s drums at my old college I now work at (Bury College), who we would like to thank, by the way!

Tracking drums can be the hardest part during the recording stage of an EP or an album, so they really helped us out in that aspect with the tracking.

We did all of the guitars at Adam’s house, we then did the bass at my house, and then, we went back to Adam’s to do all the vocals there. We then sent all of our tracks off to Oskar Sutton at Infinite Audio, who did an incredible job mixing and mastering the album, and he is someone we would also like to thank!

And how has the reaction been to the album so far?

DYLAN: The reaction so far has been much better than what we could have expected, we’re hardly overnight sensations, but some of the reach the album has got and the support we’ve in turn received from all over has been breathtaking, and again, we couldn’t be more grateful for the people who have listened and enjoyed because ultimately it’s them who give us success.

BRANDON: We’ve also had great feedback from people who are in established bands in the metalcore scene such as Our Hollow, Our Home and InVisions, which we’re very blown away by!

The band hail from Manchester, a city that is better known for its indie music rather than its metal bands/artists. How is the metalcore scene there currently, in your opinion?

DYLAN: Honestly, the metal scene in Manchester used to be a lot bigger, but it’s the general musical influence of the city that allows us to get as many gigs as possible, as Manchester will always be a place where you will always find somewhere to gig, and it’s been that way since I can remember, and me and Brandon have gigged in Manchester since we were 15/16.

How is the overall experience, for you all, of playing live?

DYLAN: Playing live with the band, for me, is bliss. There’s simply no other way of putting it, because I feel like I’m completely unstoppable when I’m on stage with them, whether we’re playing to a small room of people or even just a couple of our friends at a local show, every gig just has that energy, and it’s incomparable to most other feelings.

What are the band’s plans for the year ahead?

DYLAN: So the year ahead for us is just practice, gig, and push the album as hard as we can, as we want ‘Dissonance’ to speak volumes for the work we’ve put in, which subsequently means putting more work in, but I speak for all of us when I say we’re ready for that!

BRANDON: The plan for the Asleep At The Helm camp this year is to just get out there really, we’re gonna be going further out in to new cities like Sheffield, Blackpool, and a few other places, which we will be announcing about very soon.

We’re more than ready to really hammer this year and pull in a lot of new listeners, possible new fans, and hopefully start touring!

And finally, what is your long-term aim?

DYLAN: The long-term aim is to make the music we love, with the people we love, for as long as possible.

Obviously, everyone dreams of seeing their name in big lights and having thousands of fans screaming at them when they play, but honestly, I would still be content with playing the local Manchester shows with the boys.

asleep at the helm album cover











silkrats band photo

SILKRATS (from l-r): Lewis Merrin (drums), Luna Valentine (lead vocals), Adam Kenney (guitar/vocals), Matt Nowak (bass)


An up-and-coming alternative rock band from Nottingham, Silkrats had a productive end to 2018, having released a first single, ‘Partners In Crime’, as well as making their live debut in the band’s home city, and they have a determination, in 2019, to keep up the momentum that has so far been generated.

Here’s what the quartet had to say to me when we chatted recently:

How did the band form?

MATT NOWAK (bass): The three dudes in the band have been friends for a very long time. We met when we were at school, and we were in a (terrible) band together back then too. We remain the very best of friends after all these years, and the band only gives us another reason to hang out together, other than just getting pissed.

Silkrats formed when Adam persuaded Lewis and myself to give being a band another try – and we did take some persuading, to be honest, as unlike Adam, we had both taken a step back from playing music publicly, having grown disillusioned after the breakdown of previous projects, but we’re very glad that he talked us round.

We met Luna online, and she gelled with us remarkably quickly and easily, both musically, and as a bandmate, but it can’t have been easy for her entering the old and tight friendship that the other three members of the band hold. She’s done an amazing job so far.

How did the name Silkrats come about?

MATT: Honestly, it doesn’t really mean anything. For some reason, we thought it would be cool to have something with an animal in the name, and our drummer eventually suggested the name Silkrats.

By that time, we were about ready to book gigs and start releasing some tunes, so we had reached a stage where we just needed a name, any name, and thought it would do. I wish we had a cooler story behind it, to be honest, but we don’t.

What would you say was your approach to songwriting?

MATT: So far, we’ve written as a group mostly, and I like it that way, as I think it works for us. Personally, I prefer working on something together, rather than one of us bringing a complete idea to the other guys and saying, “Here’s the song, learn it“, and collaborating this way means we all have more of a shared attachment to the songs.

My style is more “riff arrangement“, whereas Adam has a great ear for hooks and choruses. Together, I think we make a decent team, and are able to fill in the holes in each other’s ideas.

Up until now, Adam has written all of the vocals/lyrics, but the vocal melodies inevitably change a bit once Luna gets her hands on them – it’s always a very pleasant surprise to hear her take them on.

What inspires the band lyrically?

ADAM KENNEY (guitar): I’ve always hated writing lyrics, but bringing in Luna has been liberating – I don’t have to feel self-conscious about it, because I’m not the one singing them!

Lyrically, no song is about one particular thing, as there are multiple themes in most of the songs. I get very bored writing about one singular subject, so there’s usually a line about one thing, and then another about something completely different.

Recently, you brought out your debut single, ‘Partners In Crime’. How was the recording process for that?

MATT: We actually did it ourselves – hopefully, it’s not too obvious! We were on a bit of a budget, so we recorded the song at home using fairly entry level microphones, a MacBook Air, and Logic Pro X.

It’s been years since I recorded anything “properly“, the last time being when I did my music tech A-level about ten years ago, but it was fun shaking off the cobwebs and re-teaching myself how to use various plug-ins, etc.

We wanted to self-record, so that we could take our time, both tracking and mixing, so that we could be pickier about the artistic side of things without the time pressures of working in a “proper” studio, and given the circumstances, I’m extremely proud of what we’ve produced.

And how has the reaction been to the track so far?

LUNA VALENTINE (lead vocals): The reception has been overwhelmingly positive. I think there’s no better feeling in this world than seeing other people enjoy something that we’ve created.

The band hail from Nottingham. What is the state of the alternative rock scene in the city, in your opinion, currently?

LUNA: It depends on what lens you’re looking at it through. From a punter’s perspective, it’s pretty great, as we have several venues that put on touring bands (courtesy of the DHP group – Rock City, The Bodega, Rescue Rooms), as well as an arena for larger acts, and a couple of annual urban festivals (Dot To Dot, Hockley Hustle, Beat The Streets).

As a band though, it can be difficult to find a respectable venue (ie. not a pub with a bit of spare floor space) that will put on emerging local acts, there’s only a handful of those. Huge shout out to The Maze though – they gave us our first gig, and are always willing to give local artists a chance.

And you recently made your live debut in your home city. How was that as an experience?

It went really well! It was great to finally get out there, and show people what we’ve been working on all this time, and we think it was pretty well-received too. We can’t wait to do it again.

And finally, what are the band’s plans for the year ahead?

We’re just trying to get ourselves out there, and we would love to play more gigs! We have five other songs in production already, and the plan at the moment is to release them one at a time as singles, but we’ll see.

silkrats single cover