SUPPORT: Inscriptions, Despoiled, 2 Years 2 Late
REVIEW by ZAK SLOMAN
PHOTOS by AMY GRIFFITHS
The metalheads of Stoke-on-Trent were out in force at the weekend to see local lads Construct perform in front of a home crowd.
The metal quintet were in town as part of a tour promoting their recently released debut album ‘The Deity’.
Waiting outside for the doors to open, I couldn’t help thinking that there seemed to be a more sizeable queue than usual, most of them in no doubt eager to see how the five-piece could translate the sound of the album into an effective live performance.
However, before all that, there were three local outfits, all varying in experience, to see.
First up were young band 2 Years 2 Late, who were playing their first ever live set.
Despite a rather shaky beginning, which was understandably down to nerves, they quickly began to relax and grew in confidence as the set went on, so much so that towards the end, the guys were showing the crowd what they were truly capable of.
Next on stage were Despoiled, also a fledgling outfit but with more gig experience, and a much louder, heavier sound, which along with the constant screaming vocal delivery of frontman Kurt Kennedy, contributed to the formation of the first moshpit of the night.
Despoiled are a band that evidently improve with each set, and if they carry on the way they have, then it should only be a matter of time before they are headlining a venue like this one.
Inscriptions, the final support, are currently almost at the same level as Construct, and this was evident in their stage performance. They provided a great warm-up, nicely setting the stage for the headliners and making their job of creating a good atmosphere much less difficult.
By the time Construct were ready to begin, the venue was buzzing and there was a sense of genuine excitement in the air.
The Potteries quintet showed exactly why they are tipped to make a big impact this year, adapting the sound of ‘The Deity’ for a live set with relative ease. They also had confidence in abundance, playing a heavy, loud metal sound with progressive elements, and involving the audience as much as they possibly could, with frontman Callum Howle frequently issuing rallying cries to make as much noise and moshing as possible in a place as compact as The Underground, resulting in the room becoming one massive moshpit.
Construct are a band that are now getting national exposure, and if every performance on the tour was like the one I witnessed, then it should be very easy for them to leave the same good impressions at venues up and down the country, and their fast-expanding fan base in unanimous agreement that the money they paid for a ticket was an amount well spent.